In a world where body image and weight loss obsessions are ever-present, writer-director Natalie Erika James' film 'Saccharine' dares to delve into the dark and disturbing. This psychological horror film, though not intentionally timely, couldn't be more relevant to the current cultural climate.
The Timely Terror
'Saccharine' explores the dangerous territory of diet culture and addiction, a subject that feels alarmingly familiar in today's society. The film's premise, involving a medical student who turns to an extreme dieting fad, eating human ashes, is a chilling reflection of the lengths some will go to achieve an idealized body image.
James acknowledges that the film's themes are unfortunately evergreen, with the rise of GLP-1 medications and the early 2000s outlook on weight loss making a comeback. She notes, "It felt like we stepped away from that [diet culture], but it's been lying dormant, waiting to resurface."
Body Horror and Its Impact
What makes 'Saccharine' stand out is its use of body horror to analyze and externalize the internal struggles of its protagonist. Actress Midori Francis, who plays Hana, describes how the film captures the loudness of mental battles, where obsession and compulsion take center stage.
The film's visceral nature has led to unexpected reactions, with some viewers reportedly passing out during screenings. Francis shares her experience of audience unease, wondering if they were scared of her character's transformation.
A Personal Journey
For Francis, the film holds a special significance. She connects deeply with the story, having family members who have struggled with eating disorders and addiction. She praises James' authenticity and boldness in tackling such sensitive topics.
James, too, is aware of the film's impact and the need for trigger warnings. She emphasizes that 'Saccharine' is not for those at their darkest point, but rather a film that explores the societal pressures and internalized beliefs that can lead to such struggles.
A Deeper Reflection
The film's choice to personify the menace as a larger character is a powerful metaphor. James explains that Hana's fears are a projection of her childhood and the fatphobic culture she lives in. Francis agrees, stating that Hana is afraid of the wrong thing - herself.
"The worst thing is Hana," Francis says, "the shame inside of her is the true monster."
Final Thoughts
'Saccharine' is a thought-provoking film that uses horror to shed light on the dark corners of our society's obsession with body image. It's a bold and necessary exploration of a topic that often goes unnoticed. As James puts it, "It's confronting to even talk about it openly, but it's a conversation we need to have."
Catch 'Saccharine' in theaters now and on Shudder from July 24th.
